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Follies in Concert (1985 Live Performance) + Stavisky Film Score Music
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Binding: Audio CD
EAN: 0078635712827
Format: Cast Recording, Live
Label: RCA Victor Broadway
Manufacturer: RCA Victor Broadway
MPN: 27128
Number Of Discs: 2
Publisher: RCA Victor Broadway
Release Date: October 25, 1990
Studio: RCA Victor Broadway






Editorial Review:

Amazon.com:
Since the original Broadway cast recording of Stephen Sondheim's Follies was a truncated affair that turned out to be both a disappointment and a disservice to a brilliant show with a brilliant cast, this 1985 concert performance from New York's Avery Fisher Hall set out to record the whole score, a set of pastiches of old songs and songwriters as performed by a cast of faded stars and the visions of their younger selves. The result was a star-studded roster backed by the New York Philharmonic led by Paul Gemignani, with principals Barbara Cook, Mandy Patinkin, Lee Remick, and George Hearn, supported by the likes of Carol Burnett, Liliane Montevecchi, and Liz Callaway. Even these stars can't quite match the original cast, and the results are somewhat uneven--from Cook's yearning "Losing My Mind" to Patinkin's you-love-it-or-you-hate-it schizophrenia in "Buddy's Blues." Other highlights include Elaine Stritch's wry "Broadway Baby," the two young couples' interplay in "You're Gonna Love Tomorrow/Love Will See Us Through," and the electrifying audience reactions to "Beautiful Girls" and "Who's That Woman?" (A documentary video was released, but unfortunately, it did not contain the complete show.) As a bonus, this two-CD set includes 45 minutes of instrumental music Sondheim composed for the 1974 French film Stavisky, including two melodies that had been cut from the original production of Follies. --David Horiuchi



Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - A Sondheim spectacular - Follies in Concert
I have very definite views on this - in other words, my word rules, ignore the others. Random thoughts - pay no attention to those who disparage Mandy Patinkin singing "Buddy's Blues." This is an album of brilliant pastiche songs, right? Patinkin is giving us the old vaudville, split week in Jersey, performance. Of course he's over the top! Outstanding. However - sorry, I love Barbara Cook, and it's a lovely rendition of "Losing My Mind," but no one, I repeat no one, does it like Dorothy Collins ... Read More



Rating: 5 out of 5 stars - GREAT PERFORMANCES!
A WONDERFUL RECORDING OF "FOLLIES" WITH A LOT OF BRILLIANT PERFORMANCES
BY THE STARS ON STAGE. A "MUST" FOR ANYONE WHO CARES FOR THIS GREAT MUSICAL.




Rating: 4 out of 5 stars - A Good recording.
The original is my perferred version, even though it is very watered down. Here, all the songs are complete, but it comes out uneven somehow. The really great performers here are Carol Burnett and Barbra Cook. They really shine. The rest do mediocre performances. Out of the rest, Lee Remick, and Elaine Strich do a great job. Buy this you want the "complete" version and four stellar performances, but the original is the one to get performance wise.



Rating: 5 out of 5 stars - FOLLIES - the best recording ...so far
If any one album makes a case for FOLLIES is is this set of FOLLIES IN CONCERT. It is not the definitive FOLLIES, but about as close as we're likely to get. The sound is very VERY good, especially for a live recording, but as such there is quite a bit of applause on this disc.

Producer Thomas Shephard originally taped the dress rehearsal so he would have quiet endings for all the numbers but when the audience nearly tore the roof off Avery Fisher Hall, he decided that eliminating applause ... Read More



Rating: 5 out of 5 stars - My Favorite Follies
This is, in my opinion, the best recording of Follies you can buy. The quality of the recording isn't the best for reasons of staging and the lack of wireless mics back then, but who cares? Take a look at the list of famous singers in this cast. A big plus of this recording is the complete overature that wasn't on original. Barbra Cook is absolutely wonderful. Her voice doesn't age! I like the fact that they raised the key of a few of Sally's songs for Barbra since Sally is supposed to be the soprano of ... Read More





 

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